Skip to main content

LAGOS AND ONDO TO GET NEW REFINERIES; COST $16 BILLION

Two refineries estimated to cost about $16 billion with a combined refining capacity of 290,000 barrels per day are to be built in Ondo and Lagos States respectively.

Director of Ode Oya Refineries Ltd, Prince Bayo Otulana, who disclosed this to Daily Sun at the weekend, said the licence for the two refineries were obtained in 2005 but modalities were only recently finalised with the Directorate of Petroleum Resources (DPR).

Otulana, who was in company with two foreign technical partners of the refineries, Mr. Felix Kadam and Hugh Neto, director and vice president technical respectively of Cospower Engineering Pvt Ltd, as well Mr Saviour Inyang of Savjane World Trade Ltd, financial guarantors of the project, explained that the refineries would come in two types; modular and greenfield.

According to him, the modular, which would come in three units, is semi-prefabricated version of the refinery which installation would be completed within a year for it to start operation by December 2017; while the greenfield version, expected to be built from the scratch on site would be completed within three years for operation to start in 2020.

He allayed fears that the regulated downstream sector of the Nigerian oil business could be harmful to private refinery operation in the country.

Similarly, Neto said the two refineries would employ cutting edge hi-tech to ensure products command high patronage within and outside Nigeria.

Comments

Popular posts from this blog

Philistines

Welcome to Disney World! Photograph courtesy of Wikimedia Commons. 1. Once I had to go to Disney World with my small children. On the way to the airport our taxi driver exhibited signs of Obsessive Disney Disorder—when he found out where we were going he started obsessively describing and listing and explaining everything that had to do with Disney World, even though he was a grown man. We stayed at the Portofino Bay Hotel, a Disney-owned property that is a replica of the storied village on the Italian Riviera. There were imitation Renaissance churches and Mediterranean piazzas clustered around a fake harbor with old Fiats parked on the cobblestones and fishing boats moored in the fake bay. Outside cafés ranged on the harbor, serving espresso under green-and-white striped awnings. Italian cypresses were planted along the pools. If you didn’t know it was a Disney replica of a real place, it would have to be characterized as being extremely tasteful and lovely. So you did tend to ge...

Dressing for Others: Lawrence of Arabia’s Sartorial Statements

Left: T. E. Lawrence; Right: Peter O’Toole in Lawrence of Arabia (1962) In the southwest Jordanian desert, among the sandstone mountains of Wadi Rum, there is a face carved into a rock. The broad cheeks and wide chin are framed by a Bedouin kuffiyeh headdress and ‘iqal, and beneath the carving, in Arabic, are the words: “Lawrence The Arab 1917.” If you are visiting Wadi Rum with a tour guide, you can expect to be brought to this carving. You may also be shown a spring where Lawrence allegedly bathed, as well as a mountain named after his autobiography, The Seven Pillars of Wisdom, whose rock face has been weathered into a shape that does, from some angles, look a little like a series of pillars. I am familiar with the legend of T.E. Lawrence—fluent Arabist, British hero of the Arab Revolt of 1916, troubled lover of the Arab peoples—as well as with the ways the Jordanian tourism industry has capitalized on this legend. Nevertheless, I am still surprised when I hear someone mentio...

The Beautiful Faraway: Why I’m Grateful for My Soviet Childhood

At 10 I wanted to be an artist, practiced a hysterical form of Christianity, talked to trees, and turned a sunset at a local park into a visionary experience. My great-aunt lured me to Evangelical Christianity with the strangeness of Gospel stories where Jesus always ended up angry at his disciples’ failure to understand. I sympathized with being misunderstood, and latched on. Besides, Christianity was a forbidden fruit in Soviet Russia so I had to worship in secret. This was unnerving but also alluring. I was a breathless romantic who wanted to be surprised by a knight on a white horse. From the early ‘80s to the early ‘90s, my childhood was formed by the images, atmosphere, and allusiveness of Soviet songs. I grew up in an artistic family where emotions flew high. I was the kind of imaginative child who could spin an entire tale from an oblong stain on the kitchen table. But there’s more to it than that. My family was not always idealistic or romantic, especially not in New York in...