Skip to main content

Naymar makes shortlist for Ballon d'Or

The contenders for this year’s FIFA Ballon d’Or Award for the best
player of 2015 and for the FIFA Women’s World Player of the Year
2015 Award have been announced today on FIFA.com,
francefootball.fr and on FIFA’s YouTube channel in a show hosted
by Kate Abdo (Sky Sports) with expert analysis from Nadine
Kessler (German national team player and FIFA Women’s World
Player of the Year 2014) and Edgar Davids (former Dutch national
team player and winner of the UEFA Champions League
1994-1995).
The nominees for the FIFA Ballon d’Or are, in alphabetical order:
Cristiano Ronaldo (Portugal/Real Madrid), Lionel Messi (Argentina/
FC Barcelona) and Neymar (Brazil/FC Barcelona). Meanwhile, Carli
Lloyd (USA/Houston Dash), Aya Miyama (Japan/Okayama Yunogo
Belle), and Célia Šašić (Germany/1. FFC Frankfurt) are in the
running for the women’s award.
The candidates for the FIFA World Coach of the Year for Men’s
Football and FIFA World Coach of the Year for Women’s Football
awards have also been announced. In alphabetical order, the
contenders are:
Pep Guardiola (Spain/FC Bayern Munich), Luis Enrique Martínez
(Spain/FC Barcelona), Jorge Sampaoli (Argentina/Chilean national
team) for the FIFA World Coach of the Year for Men’s Football
award; and Jill Ellis (USA/USA national team), Mark Sampson
(Wales/English national team) and Norio Sasaki (Japan/Japanese
national team) for the FIFA World Coach of the Year for Women’s
Football award.
All of the nominees were confirmed after a voting process, which
was open to the captains and head coaches of the men’s and
women’s national teams of the 207 member associations as well
as international media representatives selected by FIFA and France
Football.
The percentages of the collected votes are as follows (number of
votes/number of associations):
Voting for men’s awards: 165
Member associations (captains & coaches):  79.71%
Media representatives: 88.60%
Voting for women’s awards: 136
Member associations (captains & coaches): 76,83%
Media representatives: 80.92%
The voting procedure for each of the awards was supervised and
monitored by the independent observer PricewaterhouseCoopers
(PwC) Switzerland.
In addition, the three nominees for the FIFA Puskás Award for the
“most beautiful goal of the year” were announced. The three final
goals are: Alessandro Florenzi – 16.09.2015, AS Roma – FC
Barcelona, UEFA Champions League / Wendell Lira – 11.03.2015,
Atletico-GO – Goianesia, Campeonato Goiano (Brazil) / Lionel
Messi – 30.05.2015, Athletic Bilbao  - FC Barcelona, Copa del Rey
(Spain).
All of the awards will be presented at the FIFA Ballon d’Or award
ceremony at the Kongresshaus in Zurich on 11 January 2016 during
a televised show to be streamed live on FIFA.com and FIFA on
YouTube.

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se

The Rejection Plot

Print from Trouble , by Bruce Charlesworth, a portfolio which appeared in The Paris Review in the magazine’s Fall 1985 issue. Rejection may be universal, but as plots go, it’s second-rate—all buildup and no closure, an inherent letdown. Stories are usually defined by progress: the development of events toward their conclusions, characters toward their fates, questions toward understanding, themes toward fulfillment. But unlike marriage, murder, and war, rejection offers no obstacles to surmount, milestones to mark, rituals to observe. If a plot point is a shift in a state of affairs—the meeting of a long-lost twin, the fateful red stain on a handkerchief—rejection offers none; what was true before is true after. Nothing happens, no one is materially harmed, and the rejected party loses nothing but the cherished prospect of something they never had to begin with. If the romance plot sets up an enticing question—Will they or won’t they? — the rejection plot spoils everything upfront:

On the Distinctiveness of Writing in China

Yan Lianke at the Salon du Livre, 2010. Photograph by Georges Seguin, via Wikimedia Commons . Licensed under CC BY-SA 3.0 DEED . When I talk to non-Chinese readers like yourselves, I often find that you are interested in hearing about what distinguishes me as an author but also what distinguishes my country—and particularly details that go beyond what you see on the television, read about in newspapers, and hear about from tourists. I know that China’s international reputation is like that of a young upstart from the countryside who has money but lacks culture, education, and knowledge. Of course, in addition to money, this young upstart also has things like despotism and injustice, while lacking democracy and freedom. The result is like a wild man who is loaded with gold bullion but wears shabby clothing, behaves rudely, stinks of bad breath, and never plays by the rules. If an author must write under the oversight of this sort of individual, how should that author evaluate, discu