Skip to main content

NIGERIA QUALIFIES FOR RIO OLYMPIC SOCCER SHOW DOWN

Nigeria have clinched one of Africa's three places in the men's football tournament for next year's Olympics in Rio.

They narrowly beat hosts Senegal 1-0 in the first semi-final of the Under-23 Africa Cup of Nations to earn a place in Saturday's final.

Captain Peter Etebo (pictured) scored the key goal from the penalty spot.

Senegal now face a crucial third-place match on Saturday, with the winners also earning a place in Brazil.

Just before half-time of a tense match, Nigeria keeper Emmanuel Daniel was both villain and hero.

First he conceded a penalty for a foul on Cheickou Dieng but he then saved a poor effort from the spot by Ibrahima Sory Keita.

With both sides struggling to find the target, Nigeria coach Samson Siasia brought on the top scorer from the recent Under-17 World Cup, Victor Osimhen, to replace God's Power Tower.

The match changed in the 75th minute when Nigeria were awarded a penalty after Senegal's Ousseynou Thioune, who was sent off, handled the ball as he collided with his goalkeeper, Pape Ndiaye.

Etebo stepped up to do what Keita was unable to do earlier and net an emphatic effort that Ndiaye had little chance of saving.

The 10 men of Senegal pushed for the equaliser that would have taken the game to penalties but even with five minutes of injury time, they were unable to breakdown the stubborn Nigerian defence.

Algeria take on South Africa in the second semi-final later on Wednesday evening.

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...