Skip to main content

DOCTORS WARM UP FOR STRIKE TO BEGIN THURSDAY JUNE 7.

It was only a few weeks ago that the Labour bodies under the Nigeria Labour Congress (NLC) and Trade Union Congress (TUC) reached a compromise with the federal government regarding the removal of fuel subsidy

– The National Association of Resident Doctors of Nigeria (NARD) is also warming up for a nationwide strike

– The body of resident doctors vowed that the strike which will begin tomorrow, Thursday, June 9 will be indefinite

Dr Muhammad Askira, president of the body of resident doctors made this known to journalists on Tuesday, June 7.



The president of NARD stated that the decision to embark on a nationwide strike, was taken at the ordinary general meeting of the national executive council of the association, which was held between May 30 and June 5, at Jos, the capital of Plateau state, North-central Nigeria.



Association of Resident Doctors carrying placards while holding a peaceful protest over non-payement of their salaries for several months         Credit: NAN
The president of the association said: “Sixteen out of 58 federal tertiary institutions or centres were exempted from the initial centre based strike for the commitment of the chief medical director of the hospitals to implement the federal government’s directives.



“If by midnight on Sunday, June 19, our demands are not met, all the members of the association, including those exempted, would join the indefinite nationwide strike.”

According to The Cable, Dr Askira said the association sees it as very important to take “the painful decision” due to the failure of the federal government to grant their request.

He added: “Due to the failure of the government to address the demands of NARD, it has declared a total and indefinite strike.

“NARD has to take this painful decision in order to highlight the plight of our hardworking members who have had to endure a long period of deprivation and disenfranchisement.”

It was a shameful thing to know, regarding refusal to pay workers’ salary by the government, as a teacher who works at Ekiti Baptist High School, stole a pot of amala from her neighbour’s kitchen due to unpaid salary.

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se

The Rejection Plot

Print from Trouble , by Bruce Charlesworth, a portfolio which appeared in The Paris Review in the magazine’s Fall 1985 issue. Rejection may be universal, but as plots go, it’s second-rate—all buildup and no closure, an inherent letdown. Stories are usually defined by progress: the development of events toward their conclusions, characters toward their fates, questions toward understanding, themes toward fulfillment. But unlike marriage, murder, and war, rejection offers no obstacles to surmount, milestones to mark, rituals to observe. If a plot point is a shift in a state of affairs—the meeting of a long-lost twin, the fateful red stain on a handkerchief—rejection offers none; what was true before is true after. Nothing happens, no one is materially harmed, and the rejected party loses nothing but the cherished prospect of something they never had to begin with. If the romance plot sets up an enticing question—Will they or won’t they? — the rejection plot spoils everything upfront:

On the Distinctiveness of Writing in China

Yan Lianke at the Salon du Livre, 2010. Photograph by Georges Seguin, via Wikimedia Commons . Licensed under CC BY-SA 3.0 DEED . When I talk to non-Chinese readers like yourselves, I often find that you are interested in hearing about what distinguishes me as an author but also what distinguishes my country—and particularly details that go beyond what you see on the television, read about in newspapers, and hear about from tourists. I know that China’s international reputation is like that of a young upstart from the countryside who has money but lacks culture, education, and knowledge. Of course, in addition to money, this young upstart also has things like despotism and injustice, while lacking democracy and freedom. The result is like a wild man who is loaded with gold bullion but wears shabby clothing, behaves rudely, stinks of bad breath, and never plays by the rules. If an author must write under the oversight of this sort of individual, how should that author evaluate, discu