Skip to main content

THE AVENGERS ARE AT IT AGAIN: AUGUST 1 DECLARATION

Adaka Boro Avengers called on Igbos and south south people to return home

– It promised to declare an independent republic on August 1

– The group also ordered Yoruba and Hausa people out of the region

A group, Adaka Boro Avengers has warned south east and south south people to return back to the region as a date has been set for the declaration of the Niger Delta Republic.

A lot of militant groups have sprung-up in the Niger Delta region vandalising oil and gas pipelines with the Niger Delta Avengers being the most notorious as it has claimed responsibility for bombing of vandalism.

According to Independent, the group specifically called on former president, Goodluck Jonathan, Chief Edwin Clark; King Alfred Diete Spiff; Ankio Briggs; Joseph Eva; Patrick Fufein, Pastor Good, past and present military personnel from the Niger Delta region, present senators and members of the Houses of Representatives to come to Kaiama for the official declaration of the independent republic which is scheduled for Monday, August 1.

The spokesperson of the group, General Edmos Ayayeibo in a statement issued on Sunday, July 24 ordered people from the north and the south west to vacate the South-South before August 1.

Ayayeibo also called on the federal government to “move out all military personnel and all government agencies out of the Niger Delta as failure will lead to destruction of military barracks and personnel.”

He also warned that Hausa and Yoruba people who remained in the region after August 1 will have themselves to blame for whatever befalls them.

“The Nigerian community is aware of what happened some weeks back after our seven days ultimatum given to the multinational oil companies in the Niger Delta. Every one witnessed how many lives that were lost and how many oil installations that were destroyed,”

“We are also using this medium to call on the Niger Delta famous sons and daughters. Pa E. K. Clark, King Alfred Diete Spiff, His Excellency Dr. Goodluck Ebele Jonathan, Ankio Briggs, Joseph Eva, Patrick Fufein, Pastor Good, the children of late Pa Isaac Adaka Boro, past and present military personnel from the Niger Delta region.

“Past and present governors from the Niger Delta, past and present senators and Houses of Representatives members.

“Finally all sons and daughters of Niger Delta Republic to come to Kaiama for the official declaration of the Niger Delta Republic.”

The threat of forced eviction has however been dismissed by leaders of the Hausa and Yoruba communities in the region.

Mallam Rabiu Abdulraman who is the leader of Hausa youths spoke in the Igbudu area of Warri where he said that while the Ijaw militants had the right to agitate “for whatever they claim to be their right, they should also remember that other law-abiding Nigerian citizens who believe in the unity of the country have their rights to be protected and live in any part of the country of their choice.”

Mr. Abiodun Oguntomisin, a Yoruba youth residing in the region said the group had no right to chase Yoruba people from any parts of the country.

He said that the Yoruba also have militant group in Nigeria known to all and warned the Niger Delta militants to rethink their decision.

He accused the militants of being selfish and that “nobody will benefit from this unbridled brigandage of the Niger Delta militants.

Their leaders and our so-called human rights groups should call them to order now instead of keeping quiet in the face of the wreckage they are causing the nation because of imagined or perceived marginalisation by successive governments.”

The group has earlier shown interest in teaming up with the Niger Delta Avengers to destroy more oil installation in the region.

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se

The Rejection Plot

Print from Trouble , by Bruce Charlesworth, a portfolio which appeared in The Paris Review in the magazine’s Fall 1985 issue. Rejection may be universal, but as plots go, it’s second-rate—all buildup and no closure, an inherent letdown. Stories are usually defined by progress: the development of events toward their conclusions, characters toward their fates, questions toward understanding, themes toward fulfillment. But unlike marriage, murder, and war, rejection offers no obstacles to surmount, milestones to mark, rituals to observe. If a plot point is a shift in a state of affairs—the meeting of a long-lost twin, the fateful red stain on a handkerchief—rejection offers none; what was true before is true after. Nothing happens, no one is materially harmed, and the rejected party loses nothing but the cherished prospect of something they never had to begin with. If the romance plot sets up an enticing question—Will they or won’t they? — the rejection plot spoils everything upfront:

On the Distinctiveness of Writing in China

Yan Lianke at the Salon du Livre, 2010. Photograph by Georges Seguin, via Wikimedia Commons . Licensed under CC BY-SA 3.0 DEED . When I talk to non-Chinese readers like yourselves, I often find that you are interested in hearing about what distinguishes me as an author but also what distinguishes my country—and particularly details that go beyond what you see on the television, read about in newspapers, and hear about from tourists. I know that China’s international reputation is like that of a young upstart from the countryside who has money but lacks culture, education, and knowledge. Of course, in addition to money, this young upstart also has things like despotism and injustice, while lacking democracy and freedom. The result is like a wild man who is loaded with gold bullion but wears shabby clothing, behaves rudely, stinks of bad breath, and never plays by the rules. If an author must write under the oversight of this sort of individual, how should that author evaluate, discu