Skip to main content

Netanyahu’s Ready for More Puzzling?: The Answers

puzzle9-26-2016

Ed. Note: This week’s puzzle contest is officially over—thanks to all who entered. Our winner is Mark Clemens. He gets a free subscription to the Review. Congratulations, Mark! Below, the solutions. 

Netanyahu’s Ready for More Puzzling?” answers:

  1. The Clan of the Cave Bear Bryant
  2. Reese Witherspoon River Anthology
  3. Rockin’ Robin Lane Fox
  4. Koolhaasta la vista, baby
  5. Enoch Light in August
  6. The Jewel of the Nile Rodgers
  7. Batter My Gary Hart, Three-Personed God
  8. Last Yo La Tengo in Paris
  9. Graham Greene Acres
  10. Mary Baker Eddy and the Cruisers
  11. Chico and the Man Without Qualities
  12. Nate Silver Spoons
  13. Rocky Mountain Highsmith
  14. The Fiona Apple Dumpling Gang
  15. Fire and Ice Cube
  16. The Age of Wire and String Cheese Incident
  17. The William Pitt and the Pendulum
  18. The Sun Myung Moon and the Bonfires
  19. A Finn Wolfhard Day’s Night
  20. The Bonnie Hunt for Red October
  21. Boulez Lady Lay
  22. A Phoebe Waller-Bridge Too Far
  23. The GĂĽnter Grass Roots
  24. Gordon Parks and Recreation
  25. Wilfredo Lam Lies Down on Broadway
  26. Dawn Powell of the Planet of the Apes
  27. Theresa Maybe Baby
  28. The Robert Shawshank Redemption
  29. Norwegian Wedgwood
  30. Kaepernick and Nora      

Dylan Hicks is a writer and musician. His second novel, Amateurs, is out now from Coffee House Press. He contributes a monthly puzzle to the Daily.

The post Netanyahu’s Ready for More Puzzling?: The Answers appeared first on The Paris Review.



from The Paris Review http://ift.tt/2dxJsja

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se

The Rejection Plot

Print from Trouble , by Bruce Charlesworth, a portfolio which appeared in The Paris Review in the magazine’s Fall 1985 issue. Rejection may be universal, but as plots go, it’s second-rate—all buildup and no closure, an inherent letdown. Stories are usually defined by progress: the development of events toward their conclusions, characters toward their fates, questions toward understanding, themes toward fulfillment. But unlike marriage, murder, and war, rejection offers no obstacles to surmount, milestones to mark, rituals to observe. If a plot point is a shift in a state of affairs—the meeting of a long-lost twin, the fateful red stain on a handkerchief—rejection offers none; what was true before is true after. Nothing happens, no one is materially harmed, and the rejected party loses nothing but the cherished prospect of something they never had to begin with. If the romance plot sets up an enticing question—Will they or won’t they? — the rejection plot spoils everything upfront:

On the Distinctiveness of Writing in China

Yan Lianke at the Salon du Livre, 2010. Photograph by Georges Seguin, via Wikimedia Commons . Licensed under CC BY-SA 3.0 DEED . When I talk to non-Chinese readers like yourselves, I often find that you are interested in hearing about what distinguishes me as an author but also what distinguishes my country—and particularly details that go beyond what you see on the television, read about in newspapers, and hear about from tourists. I know that China’s international reputation is like that of a young upstart from the countryside who has money but lacks culture, education, and knowledge. Of course, in addition to money, this young upstart also has things like despotism and injustice, while lacking democracy and freedom. The result is like a wild man who is loaded with gold bullion but wears shabby clothing, behaves rudely, stinks of bad breath, and never plays by the rules. If an author must write under the oversight of this sort of individual, how should that author evaluate, discu