Skip to main content

Something in the Blood, Part 2

To celebrate the spookiest of holidays, we’re publishing a selection of excerpts from David J. Skal’s Something in the Blood, a biography of Bram Stokerpublished this month by Liveright. Today: a love triangle between Stoker, Oscar Wilde, and Florence Balcombe. 

florencebalcombe

Florence Balcombe, around the time she met Oscar Wilde.

On one of his visits or summer vacations in Ireland, Oscar Wilde made an acquaintance of an “exquisitely pretty girl” of seventeen, he wrote to a classmate. Though unnamed in the letter, she has generally been identified as Florence Anne Lemon Balcombe. Wilde described her as having “the most perfectly beautiful face I ever saw and not a sixpence of money.” He escorted her to an afternoon service, presumably at the ancient Christ Church Cathedral in central Dublin, which had only very recently been restored to a fashionable semblance of its medieval glory. It may have been there that he made her a Christmas gift of a small gold cross engraved with his name.

At five foot eight, the willowy Florence was a good match for the six foot two Oscar, at least for the purpose of Sunday promenades, and Merrion Square was a favorite outdoor location for regular romantic parading. The gated gardens, then accessible by key only to the adjacent residences, was a haven from the unpleasant sights and persons of Dublin’s city core. 

Although Wilde would have made nothing of the fact, had he even known it, the Balcombe family lived on the same town-house block in Clontarf where Bram Stoker had been born, but not until years after the Stokers departed the neighborhood. Wilde had no reason to imagine that Stoker, a Trinity alumnus and drama critic who was a friend of his brother’s and a regular at his mother’s salons and soirees might ever have anything to do with his relationship with Florence—much less be centrally involved in its eventual dissolution.

*

Oscar Wilde as an undergraduate at Oxford.

Oscar Wilde as an undergraduate at Oxford.

It cannot be precisely determined when in 1878 Oscar Wilde learned of Florence Balcombe’s engagement to Bram Stoker, but most chroniclers have placed the betrothal in late spring or early summer, shortly after Wilde had sent her a note from Bournemouth, saying he was sorry that he was not in Dublin and reminding her of the Easter card he had received from her “over so many miles of land and sea” while traveling in Greece the previous year. Evidently, he hadn’t received anything this time around. The unresolved nature of their relationship was underscored by a puzzling sentence: “The weather is delightful and if I had not a good memory of the past I would be very happy.” If Florence responded at all, she said nothing about the engagement.

The circumstances of the first meeting between Bram and Florence are even more unclear than her first introduction to Wilde. Since it is impossible that Oscar didn’t show her off at one of his mother’s salons—Lady Wilde was an inescapable fact of the Dublin social whirl—it’s completely conceivable Oscar made the introduction himself. Bram, after all, dined regularly at Merrion Square and had become one of Lady Wilde’s favorites. When Oscar matriculated at Oxford and couldn’t return for Christmas, Stoker was a houseguest of the Wildes, figuratively standing in for their absent son.

But one of the most glaring gaps in the surviving papers of the Stokers and the Balcombes is the absence of a single journal notation or any correspondence pertaining to the courtship or engagement. This is especially peculiar given that Florence saved her letters from Wilde. Dubliners, in the days before the telephone, depended on written communications delivered overnight, and even the same day, by a notably efficient postal service as well as foot messengers and cabbies. The premarriage correspondence of the Stokers must have been considerable and, since Bram was a writer, quite expressive. On the other hand, Victorians were notorious for editing their lives through the selective destruction of letters. This might also explain the nonsurvival of all but one of Stoker’s Dublin diaries.

The post Something in the Blood, Part 2 appeared first on The Paris Review.



from The Paris Review http://ift.tt/2eDVI0k

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...