Skip to main content

A Year in Reading: Lilliam Rivera

If I’m not reading at least two books at a time I’m failing somehow. And yet, my to-read pile this year never seemed to dwindle. There’s no real strategy to what I will read. I’m not a snob about it. I’ll read everything from speculative fiction to young adult to poetry. When a book I’m reading strikes a chord, I feel it so violently that I want to throw the book across the room. The selections below are just a sample of what moved me to extreme emotions this year:

covercoverThe Transmigration of Bodies by Yuri Herrera

When I finished reading this slim novel, I immediately wanted to read it again. Then, I wanted to read it in its original Spanish and locate all of Herrera’s works. The Transmigration of Bodies is bleak, hilarious, and so full of grit. Herrera is one of Mexico’s most exiting novelists and I eagerly await his next.

The Walls Around Us by Nova Ren Suma

“We went wild that hot night. We howled, we raged, we screamed.” The first two lines of this young adult novel pulled me right in. The Walls Around Us is a ghost tale with prose so beautiful and images so visceral I wanted to protect the young girls from the pain depicted on the pages.

covercoverCertain Dark Things: A Novel by Silvia Moreno Herrera

How do you subvert the vampire story? You set it in Mexico City and replace the stereotypical bloodsuckers with feuding families of vampire narcos. This is an exciting new world of gangster vampires that’s full of suspense and emotion.

Kendra by Coe Booth

I love flawed characters that make questionable decisions. Kendra is such a character, a 14-year-old who desperately wants to connect with her very young mother. Sexuality is handled with brutal honesty in this young adult novel. Booth also depicts the Bronx, New York, my hometown, with such love and authenticity.

covercoverThe Queen of the Night by Alexander Chee

This book came with me on my vacation to Hawaii. The island was the perfect setting to get lost in Chee’s lush world. Every single detail transported me to 19th-century France with its lavish costumes and baroque drama.

In between novels, I usually turn to poetry. These collections sit by my nightstand. Right before I go to sleep, I randomly open a page and read with the hope that the images evoked by these poets will seep into my dreams.

Song of the Simple Truth: The Complete Poems of Julia De Burgos

Burgos is one of the most important Puerto Rican poets. Her work is revolutionary. She has such a strong influence on me that her writing makes an appearance in my young adult novel, The Education of Margot Sanchez.

covercoverReliquaria by R.A. Villanueva

Villanueva’s poems seem like prayers, calling out to the past. I’m also attracted to how he plays with Catholicism and its colonial nature in language.

Our Lady of the Crossword by Rigoberto González

González has such a way with words. His poetry is packed with sexuality and culture. The chapbook is also small enough for my purse and travels with me.

More from A Year in Reading 2016

Do you love Year in Reading and the amazing books and arts content that The Millions produces year round? We are asking readers for support to ensure that The Millions can stay vibrant for years to come. Please click here to learn about several simple ways you can support The Millions now.

Don’t miss: A Year in Reading 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005

The post A Year in Reading: Lilliam Rivera appeared first on The Millions.



from The Millions http://ift.tt/2ijIiFp

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...