Skip to main content

Brontë Essentials: Six Modern Books Inspired by ‘Jane Eyre’

As we celebrate Charlotte Brontë’s 201st birthday this month, it’s hard not to feel awe for a woman who not only rose to literary stardom against all odds, but managed to keep her storied place in literary history for two centuries.

Evidence of Brontë’s enduring popularity is everywhere, not least in the large number of adaptations and re-tellings her books have inspired. Spin-offs have produced wonderfully beloved novels in their own right, and their pace of production doesn’t seem to be slowing down. Check out these six books — wildly different in tone and style — that all share the same inspiration: Charlotte Brontë.

cover1. The Eyre Affair, by Jasper Fforde

The Eyre Affair takes place in an alternative 1985, where you can, quite literally, become lost in a novel. The protagonist, Thursday Next, is a seasoned “literary detective” who faces a career-changing challenge the day that Jane Eyre is suddenly and inexplicably kidnapped from her own novel. “The barriers between reality and fiction are softer than we think,” warns one Fforde’s characters, “a bit like a frozen lake. Hundreds of people can walk across it, but then one evening a thin spot develops and someone falls through; the hole is frozen over by the following morning.” A fun, clever read for anyone who loves speculative fiction.

cover2. Reader, I Married Him, edited by Tracy Chevalier

Jane Eyre’s famous line, “Reader, I married him,” is the springboard for this recent short story collection, which features Brontë-inspired short stories from 21 of today’s great female writers, including Helen Dunmore, Sarah Hall, Emma Donoghue, and Evie Wyld. The central quote is an important one; “Reader, I married him” was a revolutionary declaration in 1847. Jane was not being chosen — rather, she was doing the choosing. Brontë fans will particularly enjoy the stories told from the perspective of Rochester and Grace Poole.

cover3. Rebecca, by Daphne du Maurier

This is terrific read for anyone who loves mystery, romance, and Jane Eyre. Rebecca, while not a governess, is similarly undignified as a “paid companion.” Both Rebecca and Jane are barely adults when they meet their mysterious future husbands, both men with dark secrets in their past (the secret in each case is an estranged wife). Both Jane and Rebecca go to live in a gothic manor that is, conveniently, brimming with secrets. However, the comparison between the two novels is not perfect, and Rebecca has many delightful surprises of its own, the most interesting being the oft-debated subtext surrounding Mrs. Danvers. If you love the book, definitely watch Alfred Hitchcock’s film adaptation.

cover4. The Brontë Cabinet: Three Lives in Nine Objects, by Deborah Lutz

It’s hard to believe there’s anything left to reveal about the Brontës’ lives, but Lutz proves us wrong! This detailed biography tells the story of the Brontë sisters through the lens of the physical objects they used every day, from their portable writing desks to their walking sticks. Each possession paints an intimate picture of the Brontës and gives us a unique window into their lives. One of the most powerful chapters centers around an amethyst bracelet Charlotte wore after the death of her sisters. The bracelet is made from the hair of Anne and Emily, a symbol of Charlotte’s grief and enduring affection.

cover5. Wide Sargasso Sea by Jean Rhys

In this spell-binding novel, Rhys gives us the prequel to Jane Eyre, starting from when Bertha (then named Antionette Cosway) was an heiress living in Jamaica. Rhys uses the backstory of Jane Eyre’s infamous madwoman to explore the legacy of colonialism, and what happens to a woman who no longer has control over her life. Suffering from a deep identity crisis and spiritual suffocation at the hands of her husband, we learn how and why Bertha spirals into insanity. “I often wonder who I am and where is my country and where do I belong and why was I ever born at all,” she says.

cover6. Jane Steele, by Lyndsay Faye

Reader, I murdered him? In this Brontë-inspired novel, Jane Steele is a orphan who appears similar to Jane Eyre except for one small thing: she’s a serial killer. The novel explores what happens when a defenseless underdog in Victorian England takes an inner rebelliousness to the ultimate extreme. In an interview with Read It Forward, Faye explains her unorthodox choice: “Is Jane Steele right to consider herself evil? If you kill for self-defense, is that unforgivable? What about killing for love? What about killing to protect a helpless child from a predator? When is doing the wrong thing actually the right thing?”

Image Credit: Wikimedia Commons.

The post Brontë Essentials: Six Modern Books Inspired by ‘Jane Eyre’ appeared first on The Millions.



from The Millions http://ift.tt/2oSq6Gs
Labels:

Comments

Post a Comment

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...
Post a Comment
Read more

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...
Post a Comment
Read more

The Rejection Plot

Print from Trouble , by Bruce Charlesworth, a portfolio which appeared in The Paris Review in the magazine’s Fall 1985 issue. Rejection may be universal, but as plots go, it’s second-rate—all buildup and no closure, an inherent letdown. Stories are usually defined by progress: the development of events toward their conclusions, characters toward their fates, questions toward understanding, themes toward fulfillment. But unlike marriage, murder, and war, rejection offers no obstacles to surmount, milestones to mark, rituals to observe. If a plot point is a shift in a state of affairs—the meeting of a long-lost twin, the fateful red stain on a handkerchief—rejection offers none; what was true before is true after. Nothing happens, no one is materially harmed, and the rejected party loses nothing but the cherished prospect of something they never had to begin with. If the romance plot sets up an enticing question—Will they or won’t they? — the rejection plot spoils everything upfront:...
Post a Comment
Read more