Denis the Pirate, and Other News

Denis Johnson in 2014. Photo: Cindy Johnson.

 

• Farrar, Straus and Giroux has confirmed that Denis Johnson is dead at sixty-seven, The Paris Review was sad to learn. We’ll celebrate Johnson’s life and work in the days to come. For now, can I recommend a deep cut? It’s “Denis the Pirate,” a kind of children’s story from our Fall 2003 issue in which Johnson imagines “the most bloodthirsty and terrible pirate ever to sail the Caribbean Sea … my own great-great-great-great grandfather, Denis the Pirate. In the early 1700s no man lived who did not fear his name.” In a short foreword, Johnson explained, “I wrote this story for my goddaughter Josephine Messer many years ago, while we were visiting the island of Bequia in the country of St. Vincent and the Grenadines. She was about five at the time, and I hoped the misadventures of my great great-great-great-grandfather would amuse her. I changed the location to match our surroundings, but in every other respect the details of my ancestor’s unsavory career are absolutely accurate.”

• Meanwhile, Jason Horowitz is in Taormina, a hilltop town on the coast of Sicily, where soon the President will arrive—and where characters out of Denis Johnson stories seem to be in abundance: “Taormina’s postcard panoramas, its exaggerated Epcot Italian-ness and its reputation as the sun-drenched pleasure dome for reality TV stars, aging playboys and affluent Russians remain intact. It is a spot that is both exclusive and a little hokey … ‘That’s the room Trump will stay in,’ said Dino Papale, a sixty-nine-year-old Sicilian lawyer, promoter and all around bon vivant, as he leaned around his courtyard’s wall and pointed at the adjacent Belmond Grand Hotel Timeo. Mr. Papale, who pulled a red ‘Make America Great Again’ cap over his wavy gray hair, said he met Mr. Trump several years ago and was invited to his inauguration. ‘I’m the president of Trump’s Sicilian fan club,’ said Mr. Papale, who is also first among the many Taormina types for whom the president is a kindred spirit.”

• Why do we love pessimistic literature? Tim Parks tries to put his finger on it: “Modern society, as a whole, tends toward a sort of institutional optimism, espousing Hegelian notions of history as progress and encouraging us to believe happiness is at least potentially available for all, if only we would pull together in a reasonable manner. Hence the kind of truth pessimists tell us will always be a subversive truth … rebuttals of the pieties we were brought up on: that knowledge is a vital acquisition, that we must work to help and save each other, that it is positive to be industrious and healthy, that freedom is supremely important, and so on. Such a radical deconstruction may be alarming, yet when carried out with panache, zest, and sparkle, it nevertheless creates a moment’s exhilaration, and with it, crucially, a feeling of liberty. Reading Leopardi or Cioran or Beckett, one is being freed from the social obligation to be happy.”

• And Andrew O’Hagan mulls over the media abyss that is Britain’s Daily Mail: “Americans treat the National Enquireras if it was a made-up scandal-rag intended for dummies, but the Daily Mail, weirdly, manages to hold its position as a respected newspaper in touch with the main currents of British life. In fact, its sales are down by one million since 2003 and its audience today is drawn mainly to the sleazy accounts of celebrity break-ups, wardrobe malfunctions and hidden cellulite that make up its notorious ‘sidebar of shame’ on the web. Politicians have to cozy up to survive its will to defame, and all Tories feel they have to take it seriously as a guide to the instincts of ‘Middle England’, even though its own staff feel it to be a virus more than a news outfit, a whole universe of rotten, in which a group of bullies get to miscall the world for money. In my weeks of reading the Mail in the wake of Addison’s book, I found no real humor but many hundreds of sneers, which is what passes for humor in that whispery world of frightened men who don’t know how to talk to women and wish they knew bigger words.”

• And last, because I know you look to this space for trend-watching and fashion scouting, I’ve got some advice on what you should wear this Memorial Day weekend: camping gear. It’s called gorpcore, and it doesn’t care what you think of it. It is the rising tide. There’s no stopping it, do not attempt to stop it, simply let it carry you away. Jason Chen explains, “Where normcore idealized the Mall, indiscriminately incorporating bland stylistic totems across suburban categories—athletic wear as much as grunge as much as skate as much as prep—this new aesthetic worships the Woods, strictly defining itself by the idioms of hiking/camping/outdoor apparel. It telegraphs an enlightenment beyond urban, bourgeois concerns: I can survive perfectly fine outside of the city — and in style, thank you … Unlike Fashion Week facsimiles, the clothes have the cred of true outdoor gear; what makes them cooler, of course, is that they’re not trying to be cool. Their aesthetic is auxiliary to, well, survival.”

from The Paris Review http://ift.tt/2roL1Wz