Skip to main content

The Millions Top Ten: April 2017

 

We spend plenty of time here on The Millions telling all of you what we’ve been reading, but we are also quite interested in hearing about what you’ve been reading. By looking at our Amazon stats, we can see what books Millions readers have been buying, and we decided it would be fun to use those stats to find out what books have been most popular with our readers in recent months. Below you’ll find our Millions Top Ten list for April.

This Month Last Month Title On List
1. 1. cover Norwegian by Night 5 months
2. 2. cover Lincoln in the Bardo 3 months
3. 4. cover Moonglow 6 months
4. 5. cover A Separation 3 months
5. 7. cover Scratch: Writers, Money, and the Art of Making a Living 3 months
6. 6. cover The North Water 5 months
7. cover Ill Will 1 month
8. cover American War 1 month
9. 8. cover Homesick for Another World 4 months
10. 10. cover Swing Time 3 months

 

Spring has sprung but things are not what they seem. Here in Baltimore, watermen welcomed reports that the Chesapeake Bay crab population is the strongest its been in years, and yet simultaneously we got news that efforts to strengthen the Bay are on dire straits. Nationwide, things are not what they seem. Spring has sprung, and yet it snowed in Utah last weekend.

Appearances deceive. On our Top Ten list this month, Otessa Moshfegh’s Homesick for Another World fell one spot — perhaps because Brooks Sterritt disgusted y’all with his review for our site — but at the same time, Moshfegh’s earlier collection, Eileen, got a strong enough boost to make our list of near misses (at the bottom of this post). What is down is also up.

After six months of strong showings, we graduated two titles to The Millions‘s Hall of Fame: Tana French’s The Trespasser and Ann Patchett’s Commonwealth. Both have been there before: French six years ago for Faithful Place, and Patchett a year later for The Getaway Car: A Practical Memoir About Writing and Life.

Their spots on this month’s list are filled by works from Dan Chaon and Omar El Akkad.

Chaon’s novel, Ill Will, has been described by our own Edan Lepucki as being “about grief, about being unable to accept reality, and about the myriad ways we trick ourselves about our selves.” In a wide-ranging conversation that ran on our site last month, the two discussed, among other things, Chaon’s fascination with characters’ names:

Names are weirdly important to me. … I don’t know if it’s superstition or magic or what, but for me a name somehow breathes life into a puppet, gives shape to an abstraction. The characters often refuse to perform unless they have been properly christened.

Meanwhile El Akkad’s debut, American War, “presents a highly plausible dystopia in the not so distant American future,” according to Nicholas Cannariato:

El Akkad deploys a subtle critique of torture as not only immoral, but ineffective — and a direct critique of the Bush administration’s embrace of torture and Donald Trump’s lurid flirtation with it.

Next month, we look forward to opening at least one new spot on the list. Which newcomer will come forth? Stay tuned to find out. (And enjoy the Spring as best you can!)

This month’s other near misses included: Enigma Variations, EileenHere I AmThe Nix, and Version Control. See Also: Last month’s list.

The post The Millions Top Ten: April 2017 appeared first on The Millions.



from The Millions http://ift.tt/2qIJSp3

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...