Skip to main content

An Ode to Reading on Public Transit

It started with The New Yorker. A few years ago, I learned that I could get a discount to the magazine since I was a student, so I subscribed and began tucking each week’s issue into my backpack, underneath my MacBook and a makeup bag. It was a small but crucial pivot; from my third birthday to the end of my senior year, I was a notoriously voracious reader to the point where I’d get in trouble for reading during class. In college, however, things changed: I’d discovered Tumblr three years earlier, but became deeply embroiled in the burgeoning social justice movement that struck across all major social media platforms at the height of the Black Lives Matter movement. I was constantly tweeting, constantly blogging, my attention consumed by the allure of instant opining. It all slowly eroded on my attention span until I looked back during my junior year of university and realized: I hadn’t finished a novel in two years.

The New Yorker was the beginning of my homecoming to regular reading. Despite studying English in college, I always thought I didn’t have time to read. Really read. See, I was a working student, scraping together financial aid to cover tuition and buying textbooks out-of-pocket. While my classmates balanced schoolwork with extracurriculars, I juggled low-paying, part-time work on top of it, waking up at 5 a.m. some mornings to work an early shift, then dragging myself to a Samuel Beckett seminar at noon, and sneaking a quick nap before a College Progressives meeting later that night.

I was poor; I’ve been poor my entire life. And in my social justice circles, I constantly heard the phrase “Poor people don’t have time to read.” But one day, while commuting, I put down my phone and picked out a New Yorker; I’d finished half the magazine by the time I reached work.

If you ride the bus regularly, you likely cut out an hour in your daily schedule for transportation. You must walk to the bus stop, wait for it to arrive, then endure the long route to your destination because others have places to go, too. You likely pull out your phone during these expeditions or, like many, stare out the window and think.

covercovercoverIt’s easy in our fast-paced digital age to forget how expansive time can be. An hour can zip by if you’re scrolling through Twitter or drag on for days during an exam. Once I started carrying magazines, my bus rides began to feel longer; the 45 minutes to Station North felt like 45 minutes. Soon, I began carrying books again, a habit that felt as comfortable as muscle memory. My progress was slow at first. I traveled with Swing Time for three months (and wrote a review that you can read here). I carried Jhumpa Lahiri’s The Lowland in my tote during January. I devoured Song of Solomon in a week and God Help the Child after work one night. In the past six months, I’ve finished 15 novels, a record beating last year’s two—excluding every novel I skimmed or never completed for school. My thoughts have since kaleidoscoped; my dreams have evolved; my concentration has slowly but surely fortified over time. My political convictions deepened and expanded like the Texan sky. I use social media less and less each day, all because I stopped looking out the window on the way home.

These days I consider myself anti-car, partly because I live in an urban area, but mostly due to the time lost with a car. It’s difficult to carve out an hour or two for reading when you’re working, studying, or both. Riding the bus provides me with the time to focus on a Bookforum while sipping my morning coffee. Public transit can be a gift—a frustrating, dirty one, but a gift nonetheless. Sometimes the delay in your commute can be a couple extra pages of a Roberto Bolaño novel.

Image Credit: LPW.

The post An Ode to Reading on Public Transit appeared first on The Millions.



from The Millions http://ift.tt/2ga5E1h

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

The Historical Future of Trans Literature

  Whatever happens against custom we say is against Nature, yet there is nothing whatsoever which is not in harmony with her. May Nature’s universal reason chase away that deluded ecstatic amazement which novelty brings to us.  —Michel de Montaigne If you were trying to get anywhere in the late thirteenth century, the Hereford Mappa Mundi would not have been particularly helpful; the map is rife with topographical omissions, compressions, and errors—the most egregious of which is perhaps the mislabeling of Africa as Europe and vice-versa. Of course, as any medievalist will tell you, mappa mundi were not intended for cartographic accuracy anyway. Rather, they were pictorial histories, encyclopedias of the world’s mythological and theological narratives, records of medical fact and fable. Notable places—Carthage, Rome, Jerusalem, Alexandria, Jericho—appeared, but their placement on the map emphasized their symbolic import, rather than their geographical specificity. Thus, ...

A Year in Reading: Daniel Torday

I’ve been on leave from teaching this year, so it’s been a uniquely good 12 months of reading for me, a year when I’ve read for only one reason: fun. Now when I say fun … I’m a book nerd. So I tend to take on “reading projects.” The first was to work toward becoming a Joseph Conrad completist. I’m almost there. I warmed up with critic Maya Jasanoff ’s The Dawn Watch: Conrad in a Global World , which granted me permission to remember the capacious scope of his perspective, his humanistic genius. His masterwork was hard work, but Nostromo belongs on the shelf of both the most important and most difficult of the 20th century. The Secret Agent blew the top of my head off—it’s funny and deeply relevant to our moment, about a terrorist bombing gone horribly wrong. Under Western Eyes is all I got left. 2018 isn’t over yet. But then much fun came in reading whatever, whenever. That started with a heavy dose of Denis Johnson . The new posthumous collection of his short stories, The Lar...