A new year and even more exciting times for African literature. So here's a literary calendar of the first half of 2018, which I will be updating throughout the year.
January
It's all about the women in January with three exciting books coming out. First, there's the English translation of Leila Slimani's Chanson Douce, which won the Prix Goncourt. Translated to Lullaby (UK edition)/The Perfect Nanny (US edition), it's the story of a middle-class couple who employ the 'perfect nanny' which leads to very fatal consequences.
Also out in January - the concluding part of Nnedi Okorafor's award winning Binti trilogy. In Binti: The Night Masquerade, Binti has returned to her home planet, believing that the violence of the Meduse has been left behind, and it is left to Binti and her new friend, Mwinyi to intervene and try to prevent a war.
Jennifer Nansubuga Makumbi's award winning debut, Kintu, which reimagines Uganda's history through the cursed history of the Kintu clan also gets its UK release date.
Women also feature heavily this month and it's all about anticipated debuts and even more anticipated re-issues. There's Akwaeke Emezi's debut, Freshwater exploring the surreal experience of a young Nigerian woman who develops separate selves within her - the book is told from the perspective of the main character's different selves.
In the realm of non-fiction, there's The Wife's Tale by Aida Edemariam - described as an 'intimate memoir' and 'extraordinary story of an indomitable 95-year-old woman - and of the most extraordinary century in Ethiopia's history'.
Non-fiction also out in February is Brit(ish): On Race, Identity and Belonging by Afua Hirsch - a personal and provocative investigation exploring a British crisis of identity centred on Britain's 'awkward, troubled relationship with our history'.
February also sees the resissue of many of Buchi Emecheta's works, including Destination Biafra, Kehinde, In the Ditch and Head Above Water. The new covers have all been designed by Victor Ehikhamenor.
March
This month sees the release of another anticipated book, Tomi Adeyemi's debut Children of Blood and Bone - book one of what sounds like a very exciting fantasy trilogy (that is also soon to be a major motion picture) about magic, the loss of magic and the possibility of bringing it back and bringing down the ruling monarchy in the process.
Nafkote Tamirat's coming-of-age story, The Parking Lot Attendant about a young girls in Boston's tightly-knit Ethiopian community is a tale of 'fatherhood, national identity, and what it means to be an immigrant in America today'.
In Uzodinma Iweala's Speak No Evil, a revelation shared between two privileged teenagers from very different backgrounds sets off a chain of events with devastating consequences.
There's also the UK edition of Peter Kimani's Dance of the Jakaranda, set in the shadow of Kenya's independence from Britain and tracing the lives of three men: a preacher, a colonial administrator and an Indian technician.
Chuma Nwokolo's The Extinction of Menai is also out this month in the US. Set in a village in Niger Delta, the novel is described as encompassing 'bioethics, language extinction and Nigerian history and diaspora'.
April
There's Aminatta Forna's Happiness set in London and bringing together disparate lives and the true nature of happiness after two strangers collide on Waterloo Bridge.
Diana Evan's Ordinary People is also published this month. Also set in (South) London, it is described as 'an intimate, immersive study of identity and parenthood, sex and grief, friendship and aging, and the fragile architecture of love'.
Ngugi Wa Thiong'o's prison memoir, Wrestling with the Devil, which charts the year the was thrown in a Kenyan jail without charge is also published for the first time in the US this month.
She Called Me Woman edited by Azeenarh Mohammed, Chitra Nagarajan and Aisha Salau is a collection bringing together 30 unique narratives on what it means to be a queer Nigerian woman comes out in April.
Cynthia Jele's The Ones with Purpose is also out in April, but I don't have much information on it yet.
May
Ayesha Haruna Attah's The Hundred Wells of Salaga is also out in May. Set in pre-colonial Ghana during the height of the slave trade, it is a story of courage, forgiveness, love and freedom told through the experiences of two women.
Also published in May - Sarah Lotz's Missing Person about a group of amateur detectives infiltrated by the sadistic killer whose case they're investigating.
June sees the publication of Novuyo Rosa Tshuma's House of Stones about 'the death of colonial Rhodesia and the bloody birth of Zimbabwe' as it follows parents clinging to the hope that their son, who has gone missing has run away, rather than been murdered by government thugs.
Okay, okay, I said this was for the first half of the year, but a brief glimpse beyond.
July
Moving between Ghana and London, Hold by Michael Donkor follows three young women navigating their way into adulthood.
August
In This Mournable Body out in August, Tsitsi Dangarembga returns to the protagonist of her acclaimed first novel, Nervous Conditions, to examine how the hope and potential of a young girl and a fledgling nation can sour over time and become a bitter and floundering struggle for survival.
October
In Diriye Osman's We Once Belonged to the Sea two women - a reclusive queer Somali artist and a gifted Iranian-Somali teenage punk - both have survived extraordinary circumstances and find unexpected solace, inspiration and friendship when their lives intersect.
And further afield - to January 2019 - is the follow-up to Margaret Busby's landmark anthology Daughters of Africa. The new anthology, New Daughters of Africa will bring together the work of over 200 women writers of African descent and 'charts a contemporary literary canon from 1900'.
from bookshy http://www.bookshybooks.com/2018/01/2018-in-books-african-literary-calendar.html
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