Skip to main content

Redux: Dorothy Parker, Alexia Arthurs, Elena Wilkinson

Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter.

This week, we bring you Dorothy Parker’s Art of Fiction interview from our Summer 1956 issue, Alexia Arthurs’s short story “Bad Behavior,” and Elena Wilkinson’s poem “After the Loss of a Limb.”

If you like what you read, you can also listen to all three in the eighth episode of our podcast, “Questionable Behavior”; and if you like what you hear, why not give us a boost in the charts by subscribing on iTunes. While you’re there, tell us in the comments how much you love the show.

Dorothy Parker, The Art of Fiction No. 13
Issue no. 13 (Summer 1956)

INTERVIEWER

How about Hollywood as provider for the artist?

PARKER

Hollywood money isn’t money. It’s congealed snow, melts in your hand, and there you are. I can’t talk about Hollywood. It was a horror to me when I was there and it’s a horror to look back on. I can’t imagine how I did it. When I got away from it I couldn’t even refer to the place by name. “Out there,” I called it. You want to know what “out there” means to me? Once I was coming down a street in Beverly Hills and I saw a Cadillac about a block long and out of the side window was a wonderfully slinky mink, and an arm, and at the end of the arm a hand in a white suede glove wrinkled around the wrist, and in the hand was a bagel with a bite out of it.

“Bad Behavior,” by Alexia Arthurs
Issue no. 217 (Summer 2016)

When Pam was sixteen, Trudy, acting on a tip from a neighbor, had found a love letter in one of her daughter’s schoolbooks and had punched her, even slapped her face. It wasn’t until Pam had become a woman with a husband and children that she could almost forgive her mother. Not all mothers could afford to be kind. When Pam had first come to America, she cleaned for a white family, and one afternoon, standing at her employer’s bedroom door, she overheard the woman and her teenage daughter debate the daughter’s decision to lose her virginity to her boyfriend. Pam marveled that this was a thing that could happen. She had vowed to become a better mother than Trudy.

“After the Loss of a Limb,” by Elena Wilkinson
Issue no. 57 (Spring 1974)  

After the family surgeon has severed my hand and wrist from the forearm.
And I have carefully washed the separated hand with the connected hand.
And done its fingernails, and put a drop of perfume at the pulse of the wrist.
And soothed the hand, and stroked it, and spoken to it
Until it understands everything, why the operation was necessary …

If you like what you read, why not become a subscriber? You’ll get instant access to our entire sixty-four-year archive, not to mention four issues of new interviews, poetry, and fiction.



from The Paris Review http://ift.tt/2n3Nm4E

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...