Hansol Jung, Drama

Hansol Jung, whose plays “knit together the agonies of Korean history, the restless excitement and anxiety of the tech age, and the shapes of loss and longing,” is a playwright and director from South Korea. Jung’s productions include Cardboard Piano, Among the Dead, No More Sad Things, Wolf Play, and Wild Goose Dreams. Jung holds an M.F.A. in playwriting from Yale School of Drama and is a proud member of the Ma-Yi Theatre Writers Lab.

An excerpt from Wild Goose Dreams:

HEEJIN

Message from Heejin Cook WTF OMG dad untag me from that pic WTHIWWY?!?!?

MINSUNG

Hi!

HEEJIN

Delete! Plz! Idk wot u doin Imma unfriend u if u do shit lyk dis 2 me

MINSUNG

Huh?

HEEJIN

Picture! Photo! Photograph of me buttnaked with a banana in my face!

MINSUNG

Yes! You are three years old! I am happy you like it.

MAN

Smiley face with bulging hearts for eyes

HEEJIN

I can’t. Sorry dad Im blockin u

MINSUNG

Heejin I don’t understand what you are writing. Everything is okay?

CHORUS

– Sorry, this page isn’t available

– The link you followed may be broken, or the page may have been removed.

MAN

Compose new email

MINSUNG

Dear daughter I don’t know what happened but I can’t find you any more. Daddy will fix and

everything will be okay. I love you. From Dad

CHORUS

– Mail Delivery Subsystem MAILER DAEMON: the following address had permanent fatal errors

MINSUNG

Delete.

from The Paris Review http://ift.tt/2IHyFOx

Comments

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 . In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...

TOBI'S DESK

Search This Blog