Skip to main content

The Day the Carlton Began to Slip

The Carlton Hotel

This sequence from Terry Southern’s 1959 novel The Magic Christian was originally removed over potential libel concerns. Sometime in the early 1970s, after the release of The Magic Christian movie, Terry dusted the piece off, hoping to bring his character, “grand guy” Guy Grand, the billionaire trickster, back for a series of new adventures, but the piece didn’t find a home. We are publishing it here for the first time. The massive and opulent Carlton Hotel, built in 1909 in Cannes, continues to be a locus-point for celebrities and special events held during the Cannes Film Festival.

 

About a week after Guy Grand purchased the smart Carlton Hotel in Cannes, excavation work was begun, presumably for the purpose of an elaborate expansion of the lower and ground section of this already magnificent structure. Rumor had it that a vast complex of underground passages and rooms were to connect the hotel with the beach area opposite, thus giving Carlton residents—generally acknowledged to be the “smartest of the smart”—direct access to their private oceanfront. In any case, excavation work went ahead on a monumental scale for about three years.

As literally acres of stone and soil beneath the building were removed, they were replaced with a network of structural steel supports. Gradually, the size of the cavern beneath the hotel increased until, on May 13, 1973, it was one black square and over a thousand feet deep. On this day all work stopped (to the great relief of the residents) and, although there were as yet no visible benefits from the project, it was generally assumed that these would soon be dramatically evident.

Due to the incredible whirl of press and social events during the gala Cannes Film Festival, very little notice was given to the curious announcement which came over the hotel loud-speakers at six o’clock that morning: “Mesdames, monsierus… preparez-vous a descendre.”

An hour later it was announced: “Attention. Descente en cinq minutes…”  And this was repeated once in modern Arabic. At five minutes after seven, the steel beams supporting the building were telescoped inwards and the huge hotel slowly sank out of sight. People whose rooms had looked out onto the sea now awoke to find themselves staring at a wall of rust-colored earth.

Although the residents of the Carlton were eventually rescued, the hotel itself was never again seen.

Investigations have not yet determined the purpose of this strange and very costly project.

The internationally famous hotelier, Mr. Jack Hilton, when asked his opinion as to what could have been the “purpose” in putting the multi-million dollar Carlton Hotel below ground, was not able to shed light on the subject, and, in fact, refused to discuss it, beyond his simple statement: “Frankly, I think it was the work of a goddam nut.”

 

Terry Southern was a satirical novelist and pioneering New Journalist perhaps best known as the screenwriter behind Dr. Strangelove and Easy Rider. He was a driving force behind the early Paris Review. At the annual Paris Review Revel next week, the Terry Southern Prize for Humor, a $5,000 award honoring humor, wit, and sprezzatura, will be presented to David Sedaris.

 



from The Paris Review https://ift.tt/2pO2IeU

Comments

Popular posts from this blog

Dressing for Others: Lawrence of Arabia’s Sartorial Statements

Left: T. E. Lawrence; Right: Peter O’Toole in Lawrence of Arabia (1962) In the southwest Jordanian desert, among the sandstone mountains of Wadi Rum, there is a face carved into a rock. The broad cheeks and wide chin are framed by a Bedouin kuffiyeh headdress and ‘iqal, and beneath the carving, in Arabic, are the words: “Lawrence The Arab 1917.” If you are visiting Wadi Rum with a tour guide, you can expect to be brought to this carving. You may also be shown a spring where Lawrence allegedly bathed, as well as a mountain named after his autobiography, The Seven Pillars of Wisdom, whose rock face has been weathered into a shape that does, from some angles, look a little like a series of pillars. I am familiar with the legend of T.E. Lawrence—fluent Arabist, British hero of the Arab Revolt of 1916, troubled lover of the Arab peoples—as well as with the ways the Jordanian tourism industry has capitalized on this legend. Nevertheless, I am still surprised when I hear someone mentio...

23 Notable Kiswahili Novels

Kiswahili is spoken widely in Eastern Africa and parts of Central Africa. The language has morphed into different dialects spoken in these countries and is well documented in a rich literary tradition. Even though this collection centers on 20th century fiction, the Kiswahili literary tradition spans various genres and time periods. Swahili novels known as […] from Brittle Paper https://ift.tt/2TFnCfP

The Beautiful Faraway: Why I’m Grateful for My Soviet Childhood

At 10 I wanted to be an artist, practiced a hysterical form of Christianity, talked to trees, and turned a sunset at a local park into a visionary experience. My great-aunt lured me to Evangelical Christianity with the strangeness of Gospel stories where Jesus always ended up angry at his disciples’ failure to understand. I sympathized with being misunderstood, and latched on. Besides, Christianity was a forbidden fruit in Soviet Russia so I had to worship in secret. This was unnerving but also alluring. I was a breathless romantic who wanted to be surprised by a knight on a white horse. From the early ‘80s to the early ‘90s, my childhood was formed by the images, atmosphere, and allusiveness of Soviet songs. I grew up in an artistic family where emotions flew high. I was the kind of imaginative child who could spin an entire tale from an oblong stain on the kitchen table. But there’s more to it than that. My family was not always idealistic or romantic, especially not in New York in...