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Flowers Not Grown Anywhere Else

 

Anna Zemankova, Untitled (second half of 1960s), pastel and ballpoint pen on paper

Like most artists, Anna Zemánkova was encouraged, from a very young age, to pursue a more lucrative career. From the age of fifteen to eighteen she studied dentistry, and then worked as a dental technician until her marriage, when she forwent paid labor in order to care for her children. In 1948 she and her family moved to Prague, and when she found herself increasingly depressed, her son, a sculptor, implored her to pursue the creative work she had previously disavowed. Early in the morning, before anyone else arose, she’d sketch pastel and ink onto large swaths of paper, creating botanical dreamscapes all her own. As a self-taught artist, Zemánková tends to be described as Art Brut, but her Art Brut is of a mysterious and magical strain. She believed her inspiration was derived from a divine source: “I am growing flowers,” she said, “that are not grown anywhere else.”  Following a major retrospective of her work at The Collection de l’Art Brut in Switzerland last summer, Kant books has released a stunning 300 page monograph. 

Anna Zemánkova, Infinite Flower, first half of 1960s, pastel, tempera and India ink on paper

 

Anna Zemánkova, Untitled, first half of 1960s, pastel on paper

 

Anna Zemánkova, Untitled, first half of 1960s, pastel and India ink on paper

 

Anna Zemánkova, Untitled, first half of 1960s, pastel and India ink on paper

 

Anna Zemánkova, Untitled, first half of 1960s, pastel and India ink on paper

 

Anna Zemánkova, Untitled, first half of 1960s, pastel, cooking oil and India ink on paper

Excerpted from Anna Zemánkova, edited by Anežka Šimková and Terezie Zemánková, and released in March 2018. Published by arrangement with Kant Books.



from The Paris Review https://ift.tt/2vYsNOJ
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