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Mequitta Ahuja’s medium is automythography. In her multilayered paintings and drawings, she creates images of herself at work, challenging the representational space that self-portraiture typically occupies in the art market. “My central intent,” she writes, “is to turn the artist’s self-portrait, especially the woman-of-colour’s self-portrait, long circumscribed by identity, into a discourse on picture-making, past and present. This includes depicting my intimate relationship to painting—the verb and the noun, the act and the object.” A solo exhibition of her work was presented at Tiwani Contemporary this spring. The show closed this past weekend, but for those who weren’t able to make it in person, a selection of images is presented below.

 

Mequitta Ahuja, Sales Slip, 2017.

 

Forty, 2017.

 

Annotation, 2018.

 

Notation, 2017.

 

Paper, 2017.

 

Crossword, 2017.

 

Images courtesy of the artist and Tiwani Contemporary.



from The Paris Review https://ift.tt/2sMLlxc

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