
With the increased visibility of African speculative and fantasy fiction (African SFF, for short), and more and more writers working in the genre, and the unprecedented success of such names as Nigeria’s Nnedi Okorafor and Tomi Adeyemi, South Africa’s Lauren Beukes, and Liberia’s Wayetu Moore, conversations have risen around its description, presentation, celebration, and connection to […]
from Brittle Paper https://ift.tt/2IytEIL
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