Skip to main content

A Year in Reading: Angela Garbes

I started 2018 hugely pregnant, so looking back, I suppose it’s no surprise that I spent a lot of time dwelling in writing about bodies. The first book I treated myself to this year—and feasted on—was Carmen Maria Machado’s Her Body and Other Parties. Here were bodies I could get down with: female bodies, brown bodies, queer bodies, possibly magical bodies, doing everything: working, eating, cooking, loving, haunting, surviving. Other books I have treasured, that have fucked me up in equal measure, and are distinctly masterful at examining life (and death and aging, menopause, trauma, race, and care) as it is experienced in human physical form: The Gifts of the Body by Rebecca Brown, Heavy by Kiese Laymon, The Middlepause by Marina Benjamin.

covercovercoverI did have that baby, in March, and the four or so months that followed (during which I was also on book tour, something I do not recommend) are a blur. Because I didn’t have the attention span or capability to read whole books, I left stacks of New Yorkers around the house and in my bag, pre-opened to articles I wanted to read. I actually ended up reading a lot this way (while nursing, while the baby was napping, on flights), and feeling quite accomplished about it. Now, though, I realize I remember absolutely nothing of what I read, save for this detail from a profile of ESPN host Stephen A. Smith: that he once hosted a late-night R&B radio show called “Tender Moments.”

covercovercoverSometime in late summer cookbooks, specifically Vibration Cooking by Vertamae Smart-Grovesner, as much a vivid memoir and cultural history of America as anything else, brought me back to reading and, in many ways, back to life. Samin Nosrat’s Salt Fat Acid Heat and Alison Roman’s Dining In were balms. When standing somnambulant in sweatpants and a soft bra in front of an open fridge filled with languishing vegetables and in desperate need of dinner, a common refrain in our house became “What would Samin do?” Often I’d just boil some vegetables, open a can of sardines or smoked trout, make Roman’s preserved lemon labneh or spiced olive oil, douse everything in the sauce, and call it good. During a year of postpartum haze, frequent travel, and constant energetic output, it was reading these warm, encouraging books that got me back into my kitchen, back into my body, and feeling (mostly) like myself again.

covercovercoverI read nearly all of The Golden State by Lydia Kiesling on my 41st birthday on a beach in Mexico, and it really did feel like a gift: Affirmation that, given the current state of our country, I don’t want to know or be friends with anyone who is remotely okay. That our institutions are working exactly as they were designed to, and that they will fail us as humans. But that amid all this, there is still love and light and connection and grace. It was one of several books I read that also complicate the conventional ways we view and talk about motherhood, including Camille Dungy’s Guidebook to Relative Strangers, Vanessa Hua’s A River of Stars, and The Art of Waiting by Belle Boggs (I still think about Boggs’s essay “Solstice” all the time).

covercovercoverBecause I’m also the mother of a four-year-old, in truth the most reading I did this year was of children’s books, always out loud, mostly the same ones over and over: Cora Cooks Pancit by Dorina K. Lazo Gilmore, Malala’s Magic Pencil by Malala Yousafzai, Peter’s Chair by Ezra Jack Keats, Hey Willy See the Pyramids and Swami on Rye by Maira Kalman. But it’s Russell and Lillian Hoban’s Frances books that I’ve read pretty much every day. The books are pleasurable and funny for adults and I love them, though not nearly as much as I love watching my daughter develop her own reading life. She relishes creating the tunes to Frances’s many songs, then marches through the world making up her own.

This summer was a strange time to have any sort of public platform to discuss parenting in America, especially as a woman of color and the daughter of immigrants, which is exactly what I was doing on book tour. Family separation made it impossible to not think and talk about our country’s shameful, inhumane, and morally bankrupt policies. I did so many events freshly postpartum and thinking about these things, with both the sharp fear and knowledge that at any moment I might completely lose track of what I was saying, or just start raging or weeping uncontrollably. I still live on that edge.

coverMy strongest memory of reading in 2018 will be a scene that repeated itself so many nights in our living room this summer: Reading the I Can Read Level 2 paperback version of  A Baby Sister for Frances aloud, my infant daughter in my arms or upstairs asleep in her crib, her older sister in my lap or face pressed into my chest, my glasses fogging up as hot tears rolled down my face when I hit page 33: “A family is everybody all together.”

More from A Year in Reading 2018

Do you love Year in Reading and the amazing books and arts content that The Millions produces year round? We are asking readers for support to ensure that The Millions can stay vibrant for years to come. Please click here to learn about several simple ways you can support The Millions now.

Don’t miss: A Year in Reading 2017, 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009, 2008, 2007, 2006, 2005

The post A Year in Reading: Angela Garbes appeared first on The Millions.



from The Millions https://ift.tt/2Qkc7ee

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...