Skip to main content

Redux: The Famous Sideshow

Every week, the editors of The Paris Review lift the paywall on a selection of interviews, stories, poems, and more from the magazine’s archive. You can have these unlocked pieces delivered straight to your inbox every Sunday by signing up for the Redux newsletter.

Marguerite Yourcenar, ca. 1983. Courtesy Nationaal Archief Fotocollectie Anefo.

This week, we bring you Marguerite Yourcenar’s 1988 Art of Fiction interview, Maxine Kumin’s short story “Another Form of Marriage,” and John Ashbery’s poem “Weed Commercial.”

If you enjoy these free interviews, stories, and poems, why not subscribe to read the entire archive? You’ll also get four new issues of the quarterly delivered straight to your door.

 

Marguerite Yourcenar, The Art of Fiction No. 103
Issue no. 106 (Spring 1988)

One lives in a commercialized society against which one must struggle. But it is not easy. As soon as one is dealing with the media one becomes their victim. But have we really lost the sense of the sacred? I wonder! Because unfortunately in the past the sacred was intricately mixed with superstition, and people came to consider superstitious even that which was not. For example, peasants believed that it was better to sow the grain at full moon. But they were quite right: That is the moment when the sap rises, drawn by gravitation. What is frightening is the loss of the sacred in human, particularly sexual, relationships, because then no true union is possible.

 

 

Another Form of Marriage
By Maxine Kumin
Issue no. 76 (Fall 1976)

They were touring New England, escaped lovers in mid-June, when the signs sprang up, hand-lettered in red and green on shiny white boards. 5 Miles to Skyvue Strawberry Farm! the first one proclaimed, followed in due course by Skyvue Strawberry Farm, 1 Mile on Left and Pick Your Own at Skyvue Strawberry Farm 10 to 4.

“Let’s,” she said, squeezing the brown corduroy of his knee.

“But what will we do with them?” he said, thinking of tonight’s motel somewhere in the Champlain Valley and tomorrow’s drive down the Hudson to their separate suburbs. He would leave her at the train station just as he had last year, and the year before, and the year before that. As if she had ridden the local out from Grand Central, she would take a taxi home.

“Eat them. Take them home. Oh never mind!” she despaired. She had caught sight of herself at the taxi stand. Strawberries spilling out of her shopping bags.

 

 

Weed Commercial
By John Ashbery
Issue no. 201 (Summer 2012)

This is the platform of the famous sideshow,
all of us participating, glad to be arm and arm
as spring charges down the battlefield. Let’s see,
what shall we wish for this time? Better make it
a serious one, as though this were the third.
I was going to suggest a ton of flowers,
ice cream for the bridesmaids. A bonnie installation.

A little convention, c’mon. Madrigal evidence suggests
we were all on our lonesome once
before Dad came to unleash the privileged characters.

 

If you like what you read, get a year of The Paris Review—four new issues, plus instant access to everything we’ve ever published.



from The Paris Review https://ift.tt/2G0RO0K

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...