Skip to main content

Literary Paper Dolls: Franny

We’re away until January 6, but we’re reposting some of our favorite pieces from 2019. Enjoy your holiday!

© Original illustrations by Jenny Kroik

Before I was a tomboy or a clotheshorse or a loser or a teenager, I was a bookworm. In that happy valley before puberty, my greatest bliss was to be given both a book and the permission to play dress-up all at once. I had a plain white trunk for my robes and silks, my wings (several kinds), my swords and my purses. Dressing up as my favorite characters was a bit of magic, and, even today, I still read novels like a costume designer. I can tell you that the best part of Kate Chopin’s The Awakening is Edna Pontellier’s peignoir. I think a lot about Moriah’s underwear in Play It As It Lays (blue silk from a hotel shop) and Hana’s sneakers in The English Patient (slightly too big). How could I not? They are the only shoes she wears. Clothing means something about our destination, our origins, our field, our desires. Everyone in a novel is dressed with intention by their author.

I’ve paired with the illustrator Jenny Kroik to bring you what us bookworm-clotheshorse child-adults have always wanted: literary paper dolls. We’ve begun with J.D. Salinger’s Franny, but stay tuned for more. Print them, share them, dress them, and please, please play with them. There’s a link to your own printable paper doll at the bottom of this post. You, too, can take Franny from one edge of her breakdown to the other by taking off her smart traveling outfit and fitting her with a pale blue cashmere afghan. We who shop late nights in marketplaces online might find satisfaction in printing out a robe and pinning it literally onto not just a figurine but to a character, an author, a time period. At the very least, this will look great on your desk.

Read more >>



from The Paris Review https://ift.tt/2MrhxAf

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

A Year in Reading: Daniel Torday

I’ve been on leave from teaching this year, so it’s been a uniquely good 12 months of reading for me, a year when I’ve read for only one reason: fun. Now when I say fun … I’m a book nerd. So I tend to take on “reading projects.” The first was to work toward becoming a Joseph Conrad completist. I’m almost there. I warmed up with critic Maya Jasanoff ’s The Dawn Watch: Conrad in a Global World , which granted me permission to remember the capacious scope of his perspective, his humanistic genius. His masterwork was hard work, but Nostromo belongs on the shelf of both the most important and most difficult of the 20th century. The Secret Agent blew the top of my head off—it’s funny and deeply relevant to our moment, about a terrorist bombing gone horribly wrong. Under Western Eyes is all I got left. 2018 isn’t over yet. But then much fun came in reading whatever, whenever. That started with a heavy dose of Denis Johnson . The new posthumous collection of his short stories, The Lar...

Dressing for Others: Lawrence of Arabia’s Sartorial Statements

Left: T. E. Lawrence; Right: Peter O’Toole in Lawrence of Arabia (1962) In the southwest Jordanian desert, among the sandstone mountains of Wadi Rum, there is a face carved into a rock. The broad cheeks and wide chin are framed by a Bedouin kuffiyeh headdress and ‘iqal, and beneath the carving, in Arabic, are the words: “Lawrence The Arab 1917.” If you are visiting Wadi Rum with a tour guide, you can expect to be brought to this carving. You may also be shown a spring where Lawrence allegedly bathed, as well as a mountain named after his autobiography, The Seven Pillars of Wisdom, whose rock face has been weathered into a shape that does, from some angles, look a little like a series of pillars. I am familiar with the legend of T.E. Lawrence—fluent Arabist, British hero of the Arab Revolt of 1916, troubled lover of the Arab peoples—as well as with the ways the Jordanian tourism industry has capitalized on this legend. Nevertheless, I am still surprised when I hear someone mentio...