Skip to main content

Poets on Couches: Stephanie Burt

In our new series of videograms, poets read and discuss the poems getting them through these strange times—broadcasting straight from their couches to yours. These readings bring intimacy into our spaces of isolation, both through the affinity of poetry and through the warmth of being able to speak to each other across the distances.

 

Untitled [There are more of us]
by Killarney Clary
Issue no. 88 (Summer 1983)

There are more of us. We came out of a time when birth was happy.

We are prizes. Perhaps we shouldn’t have been so important, so healthy. If any of us suffered war, we were pained less by the enemy than our ability to kill him.

Our number seems a useless power. We were sold on dis-satisfaction—now we’re sold families but they’re no sign of survival this time.

I am very lucky but that’s not life. And maybe no more than any person born in any year, I want but don’t know what, feel unsettled in a sea of similarly restless faces. The breadth of possibility makes choosing seem evasive. We decide but we are slow and small with doubts.

It was 1954 when my parents moved to have room for me. I remember a box my mother packed for me to store at school, filled with canned milk and soup and Hershey bars.

Two thousand good nights. My checked uniform on a hook. My face to the hall light because that felt like a day in the sun. Not fear, not loneliness, but my preference for sleeping near the window and near the floor, humming.

 

Stephanie Burt is a professor of English at Harvard University, coeditor of poetry at The Nation, and the recipient of a 2016 Guggenheim Fellowship for poetry. Her work appears regularly in The New York Times Book ReviewThe New YorkerLondon Review of Books, and other journals. She lives in Massachusetts.



from The Paris Review https://ift.tt/2Uy0orR

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...