Skip to main content

2020 AKO Caine Prize Conversation

2020 AKO Caine Prize Conversation
Monday 20 July, 19:00 – 20:30
Location: Zoom (streamed on Facebook Live)
Price: FREE (suggested donations: £2 / £5 / £10)

With Erica Sugo Anyadike (Tanzania), Chikodili Emelumadu (Nigeria & UK), Jowhor Ile (Nigeria), Rémy Ngamije (Rwanda & Namibia) and Irenosen Okojie (Nigeria & UK). Chaired by Ifeanyi Awachie.

The annual AKO Caine Prize aims to bring African writing to a wider audience, popularising short fiction from authors on the continent. Launched in 2000, the prize is awarded to an African writer of a short story published in English, and this year marks its 21st award. In this virtual event we hear the 2020 finalists discuss their inspiration and work.

Come prepared! All shortlisted stories are available online, so you can read them and come ready to pose your questions to the writers. All questions will be collected on Zoom so make sure you register below! 

If you’re unable to join via Zoom, the  event is also being streamed live on our Facebook page. Due to the technical nature of hosting the event virtually, we cannot guarantee that a question posted on Facebook Live will be answered. 

REGISTER

This event is part of Africa Writes’ 2020 online series as a response to the international lockdown most are facing in the midst of the global COVID-19 pandemic. Read more about this here.

 



from Africa Writes https://ift.tt/3ehn4Vi

Comments

Popular posts from this blog

Philistines

Welcome to Disney World! Photograph courtesy of Wikimedia Commons. 1. Once I had to go to Disney World with my small children. On the way to the airport our taxi driver exhibited signs of Obsessive Disney Disorder—when he found out where we were going he started obsessively describing and listing and explaining everything that had to do with Disney World, even though he was a grown man. We stayed at the Portofino Bay Hotel, a Disney-owned property that is a replica of the storied village on the Italian Riviera. There were imitation Renaissance churches and Mediterranean piazzas clustered around a fake harbor with old Fiats parked on the cobblestones and fishing boats moored in the fake bay. Outside cafés ranged on the harbor, serving espresso under green-and-white striped awnings. Italian cypresses were planted along the pools. If you didn’t know it was a Disney replica of a real place, it would have to be characterized as being extremely tasteful and lovely. So you did tend to ge...

Portrait of the Philosopher as a Young Dog: Kafka’s Philosophical Investigations

Nicolas Gosse and Auguste Vinchon, Cynic philosopher with his dog (1827). Public domain, via Wikimedia Commons . Franz Kafka’s story “Investigations of a Dog” might be retitled “Portrait of the Philosopher as a Young Dog.” In any event, Kafka did not assign a title to the story, which he left unpublished and unfinished. It was Max Brod who named it Forschungen eines Hundes , which could also be translated as “Researches of a dog,” to give it a more academic ring. But the term investigations has its fortuitous resonances in the history of modern philosophy. The dog’s investigations belong to a great line of theoretical endeavors, like Wittgenstein’s Philosophical Investigations , with its retinue of animals, dogs included; or Husserl’s Logical Investigations , which launched his new science of consciousness, phenomenology; or Schelling’s Philosophical Investigations into the Essence of Human Freedom , even more to the point since this is how the dog’s investigations end, with the ...

The Beautiful Faraway: Why I’m Grateful for My Soviet Childhood

At 10 I wanted to be an artist, practiced a hysterical form of Christianity, talked to trees, and turned a sunset at a local park into a visionary experience. My great-aunt lured me to Evangelical Christianity with the strangeness of Gospel stories where Jesus always ended up angry at his disciples’ failure to understand. I sympathized with being misunderstood, and latched on. Besides, Christianity was a forbidden fruit in Soviet Russia so I had to worship in secret. This was unnerving but also alluring. I was a breathless romantic who wanted to be surprised by a knight on a white horse. From the early ‘80s to the early ‘90s, my childhood was formed by the images, atmosphere, and allusiveness of Soviet songs. I grew up in an artistic family where emotions flew high. I was the kind of imaginative child who could spin an entire tale from an oblong stain on the kitchen table. But there’s more to it than that. My family was not always idealistic or romantic, especially not in New York in...