A Collision with the Divine

We’re away until January 4, but we’re reposting some of our favorite pieces from 2020. Enjoy your holiday!

The deer drift in and out of the trees like breathing. They appear unexpectedly delicate and cold, as if chill air is pouring from them to the ground to pool into the mist that half obscures their legs and turning flanks. They aren’t tame: I can’t get closer than a hundred yards before they slip into the gloom. I’ve been told these particular beasts are fallow deer of the menil variety, which means their usual darker tones have been leached by genetics to soft cuttlefish and ivory, and they’re the descendants of a herd brought here in the sixteenth century as beasts of venery, creatures to be pursued and caught and cooked. The look of the estate hasn’t changed much since then. It’s still an extensive patchwork of pasture and forest—except now the M25 runs through it, six lanes of fast-moving traffic behind chain-link fence threaded with stripling trees. The mist thickens, the light falls, the deer appear and disappear, and the deep roar of the motorway burns inside my chest as I walk on to the bridge that spans it. This bridge is grassed along its length, and at dusk and dawn, I’ve been told, the deer use it as a thoroughfare from one side of the estate to the other. I know my presence will dissuade them from crossing so I don’t want to stay too long, but I linger a little while to watch the torrent of lights beneath me. For a while the road doesn’t seem real. Then it does, almost violently so, and at that moment the bridge and the woods behind me do not. I can’t hold both in the same world at once. Deer and forest, mist, speed, a drift of wet leaves, white noise, scrap-metal trucks, a convoy of eighteen-wheelers, beads of water on the toes of my boots, and the scald of my hands on the cold metal rail.

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The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

The Private Life: On James Baldwin

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The Rejection Plot

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