Skip to main content

Sylvia Khoury, Drama

Sylvia Khoury. Photo: Yael Nov.

Sylvia Khoury is a New York–born writer of French and Lebanese descent. Her plays include Selling Kabul (Playwrights Horizons, Williamstown Theater Festival), Power Strip (LCT3), Against the Hillside (Ensemble Studio Theater), and The Place Women Go. She is currently under commission from Lincoln Center, Williamstown Theater Festival, and Seattle Repertory Theater. Awards include the L. Arnold Weissberger Award and Jay Harris Commission and a Citation of Excellence from the Laurents/Hatcher Awards. She is a member of EST/Youngblood and a previous member of the 2018–19 Rita Goldberg Playwrights’ Workshop at the Lark and the 2016–18 WP Lab. Her plays have been developed at Playwrights Horizons, Williamstown Theater Festival, Eugene O’Neill Playwrights Conference, Roundabout Theater Underground, Lark Playwrights’ Week, EST/Youngblood, and WP Theater. She holds a B.A. from Columbia University and an M.F.A. from the New School for Drama. She will obtain her M.D. from the Icahn School of Medicine at Mount Sinai in May 2021.

*

An excerpt from Selling Kabul:

TAROON
You don’t want me to go, is that it?
You want me to stay?

AFIYA
Of course I want you to go.
Don’t be stupid.
You think I want you here?

TAROON
I can handle whatever they send, Afiya.
Good, or bad, or nothing.

AFIYA
Nothing!
Exactly.
I hate it, seeing your hope when you check for messages.
Watching it crack when there’s nothing.
There’s always nothing.

TAROON
Until one day, there’s something.

AFIYA
We repair that box and you won’t have an invitation to America.
Just a message from Jeff.

TAROON
Jeff is my friend.

AFIYA
Jeff is not your friend.
Jeff got to go home to America.
Jeff abandoned you.

TAROON
Jeff didn’t abandon me.
Listen, Afiya.
America, their word is good, okay?
So it takes some time, it takes some time.

AFIYA
He fills your head with dreams.
I don’t like it.

TAROON
You know what Jeff and I went through together.

AFIYA
Yes, yes.

TAROON
You’ve seen in my folder.

He pulls out a binder from under the floor couch.
As he opens it:

AFIYA
Taroon.

TAROON
All the letters he had them write me.
Taroon translated for us here—
Taroon came under fire there—
Taroon is a strong man—
Brave man—

AFIYA
Repetitive man,
I have heard this before, Taroon.
Please, you are making my head hurt.

He puts the binder away.

TAROON
They will get me this visa, I know it.
They will.
For me, for Bibi, for our son.
Jeff promised.

AFIYA
(Absently)
Yes, of course.
Jeff promised.

Taroon is still restless.
He watches her sew.

TAROON
Four months and suddenly this place seems so small.

AFIYA
It is small.

Drink your tea, Taroon.



from The Paris Review https://ift.tt/32gy41u

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...