I have a bad habit of buying gifts for people and forgetting to send them. Over the holidays, I found myself digging through my pile of books looking for something new to read—or old enough to feel that way—when I came across a small poetry book, A Horse with Holes in It, by Greg Alan Brownderville. As I flipped through the pages in an attempt to place it, I realized it was a thank you gift I meant to send to a professor some years back. Selfishly, I’m glad this book never made it to the post office.
Most of the poems take place somewhere deep in the Delta, where Brownderville experiments with themes of religion, love, death, and desire. It’s decidedly Southern Gothic, yet the poet manages to be soulful without being overly serious, “they wept, and said some mystery words / like shahn-die, seconding my gibberish with God’s / because they know. They know honest gospel singing when they hear it.” Like the poet, I spent much of my childhood in Arkansas (and in church) and found myself wide-eyed, wincing, and giggling the whole way through. The fifteenth poem, A Message for the King, was my favorite of the collection:
Tell the king
we cheer him, we love him for these nights.
But before you kiss his face and go,
urge him
not to be too proud not to be too proud not to be too proud.
—Lauren Williams
This past week I had one of the most extraordinary TV viewing experiences of my life: my family sat down to watch an Apple TV+ adaptation of my daughter’s favorite graphic memoir, El Deafo by Cece Bell. El Deafo tells the true story (true except that in the book and show, all the people are humanoid bunnies) of Bell’s grade school years, during which a brain infection causes her to lose most of her hearing. Little Cece is precocious and profoundly alive, and deeply sensitive to others’ perceptions of her newly acquired disability. It’s a story of how to find friendship, of learning whom to trust and how to trust them. What makes the show so extraordinary is that its producers made the decision to design all the sound in the show as Bell would have heard it through her hearing aids. Our ears need to reach for the sound, which is muffled, distant, and well worth pursuing. This is the first instance I can think of—though I’m sure there are others—in which the medium of television has been used to grant access to the charged space of another person’s disability, and in so doing takes us deeper than we could have imagined into Cece’s perspective, to know her, at least a little, as she knows herself. As a bonus, the soundtrack was written and recorded by indie singer/songwriter Waxahatchee. The show affords an unprecedented chance at empathy, making the world simultaneously bigger and much more intimate. —Craig Morgan Teicher
from The Paris Review https://ift.tt/33ADBDM
Comments
Post a Comment