Skip to main content

The Review Wins the 2024 National Magazine Award for Fiction

Illustration by Na Kim.

We are thrilled to announce that The Paris Review has won the 2024 ASME Award for Fiction, marking the second year in a row that the magazine has received the honor. The three prizewinning stories are Rivers Solomon’s “This Is Everything There Will Ever Be,” a disarmingly warm portrait of “just another late-forties dyke entirely too obsessed with basketball, dogs, and memes”; “My Good Friend,” Juliana Leite’s English-language debut, translated from the Portuguese by Zoë Perry, a story written in the form of an elderly widow’s Sunday-evening diary entry (“About the roof repair, I have nothing new to report”) that turns into a story of mostly unspoken, mutual decades-long love; and James Lasdun’s “Helen,” in which a man writing about his parents’ upper-class milieu in seventies London—the time of the IRA’s mainland campaign in Britain—stumbles upon the journals of a family friend, a woman who lives in what the narrator calls a “state of incandescent, almost spiritual horror.” All three stories will be unlocked from behind the paywall this week, and you can also listen to Rivers Solomon’s story on our podcast here. Enjoy!



from The Paris Review https://ift.tt/N6XiAMD

Comments

Popular posts from this blog

Dressing for Others: Lawrence of Arabia’s Sartorial Statements

Left: T. E. Lawrence; Right: Peter O’Toole in Lawrence of Arabia (1962) In the southwest Jordanian desert, among the sandstone mountains of Wadi Rum, there is a face carved into a rock. The broad cheeks and wide chin are framed by a Bedouin kuffiyeh headdress and ‘iqal, and beneath the carving, in Arabic, are the words: “Lawrence The Arab 1917.” If you are visiting Wadi Rum with a tour guide, you can expect to be brought to this carving. You may also be shown a spring where Lawrence allegedly bathed, as well as a mountain named after his autobiography, The Seven Pillars of Wisdom, whose rock face has been weathered into a shape that does, from some angles, look a little like a series of pillars. I am familiar with the legend of T.E. Lawrence—fluent Arabist, British hero of the Arab Revolt of 1916, troubled lover of the Arab peoples—as well as with the ways the Jordanian tourism industry has capitalized on this legend. Nevertheless, I am still surprised when I hear someone mentio...

23 Notable Kiswahili Novels

Kiswahili is spoken widely in Eastern Africa and parts of Central Africa. The language has morphed into different dialects spoken in these countries and is well documented in a rich literary tradition. Even though this collection centers on 20th century fiction, the Kiswahili literary tradition spans various genres and time periods. Swahili novels known as […] from Brittle Paper https://ift.tt/2TFnCfP

The Beautiful Faraway: Why I’m Grateful for My Soviet Childhood

At 10 I wanted to be an artist, practiced a hysterical form of Christianity, talked to trees, and turned a sunset at a local park into a visionary experience. My great-aunt lured me to Evangelical Christianity with the strangeness of Gospel stories where Jesus always ended up angry at his disciples’ failure to understand. I sympathized with being misunderstood, and latched on. Besides, Christianity was a forbidden fruit in Soviet Russia so I had to worship in secret. This was unnerving but also alluring. I was a breathless romantic who wanted to be surprised by a knight on a white horse. From the early ‘80s to the early ‘90s, my childhood was formed by the images, atmosphere, and allusiveness of Soviet songs. I grew up in an artistic family where emotions flew high. I was the kind of imaginative child who could spin an entire tale from an oblong stain on the kitchen table. But there’s more to it than that. My family was not always idealistic or romantic, especially not in New York in...