Skip to main content

Grace Paley’s Most Shocking Story

grace-paley

 

Our new, redesigned website marks the debut of our complete digital archive: now subscribers can read every piece from The Paris Review’s sixty-three-year history. Subscribe now and you can start reading 0ur back issues right away; you can also try a free ten-day trial period

We’re celebrating by offering a sample of some of our favorite writing from the magazine’s past. Today, read Grace Paley’s story “The Little Girl,” from our Spring 1974 issue. Without spoiling too much, it’s the most shocking of her stories—and she told The Guardian in 2004 that it’s true. The narrator is a friend of hers she met in the fifties, through the Southern Conference for Human Welfare: “There were a lot of runaways then … and sometimes he would bring these girls to me and say, ‘Put some sense in her head.’” Paley, who died in 2007, refused to read the story aloud. It begins:

Carter stop by the cafe early. I just done waxing. He said, I believe I’m having company later on. Let me use your place, Charley, hear?

I told him, door is open, go ahead. Man coming for the meter, (why I took the lock off.) I told him Angie, my lodger could be home but he strung out most the time. He don’t even know when someone practicing the horn in the next room. Carter, you got hours and hours. There ain’t no wine there, nothing like it. He said he had some other stuff would keep him on top. That was a joke. Thank you, brother, he said. I told him I believe I have tried anything, but to this day, I like whiskey. If you have whiskey, you drunk, but if you pumped up with drugs, you just crazy. Yeah hear that man, he said. Then his eyeballs start walking away.

Read “The Little Girl” in full here; and subscribe now for digital access to every short story, poem, portfolio, and essay from The Paris Review.



from The Paris Review http://ift.tt/2gPZkhi

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...