
For almost two-thirds of Chibundu Onuzo’s new book, one searches in vain to find the source of the title, Welcome to Lagos (Faber & Faber, 2016). Was it ironically chosen to direct the reader on some chase of relevant nuggets of the city’s peculiarities or selected just for the foreboding it suggests to those already […]
from Brittle Paper http://ift.tt/2lZDE55
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