Skip to main content

The Academic’s Guide to Academese

 

The following definitions are culled from a critical glossary written by a group of Princeton graduate students and faculty. The glossary defines fifty-eight terms common to academic life, in a style intended “to prick both egos and consciences.”

art. Most generally, the ability, manner, or “knack” essential to the realization of some task or goal, especially when tricky or specialized (e.g., “the art of losing isn’t hard to master”). Also, a large class of objects and/or nonmaterial phenomena privileged for their putative ability to occasion unpredictable but significant responses (particularly aesthetic, but sometimes sentimental or political) in individuals and groups. A term substantially defined by resistance to definition. Hence, difficult to define satisfactorily, if also satisfactory to define difficultly.

canon. A sacred weapon within academic departments, fired ritually upon the uninitiated or wayward. Injuries suffered may generate the scars requisite for entry into the relevant sodalities and/or encampments. 

emancipation. Freedom; arguably the single highest political/intellectual ideal across much of the world, at least in the wake of late eighteenth-century developments commonly referred to as the “Enlightenment.” Many scholars in the humanities and social sciences write books and articles that seek to emancipate readers, generally from what are understood to be ideological misprisions inimical to the proper experience or full exercise of human freedom. Interestingly, however, relatively few of the scholars in question seem to have a robust account of into what condition of existence it would be ideal for humans to be freed. But this is a very hard problem. Gestural micromaneuvers away from one or another punitive nonfreedom will generally suffice in the introduction and/or conclusion of a scholarly work.

excellence. The substantive form of the familiar adjective excellent, meaning “of the highest quality,” and, more specifically, “surpassing related or adjacent members of the relevant class.” As a noun, the term designates the state of being “better than” other persons, places, or things. Interestingly, while it permits the conveyance of this sense, the term never requires that the surpassing of the broader field be specified: from a grammatical perspective, the comparative or competitive implications of the word are sublimated. Excellence is the basic objective of most modern human activity in developed societies. Within the expansive culture of neoliberalism, excellence functions a little like money: everyone needs to pursue it; the pursuit of it is considered not only the pursuit of a fundamental good, but also a fundamentally good pursuit, one that has the capacity virtuously to organize and to motivate both individual and collective life. Within academic settings, the pursuit of excellence—by persons and institutions—is essentially the unique “absolute good” upon which there seems to be unanimous consensus. The resulting distortions of human experience are difficult to summarize concisely, but might be said to include: compulsive competition; pervasive hyper-specialization; a ubiquitous capitulation to mechanomorphic ideals (both in the realms of thought and those of the body); want of textured appreciation of the diversity and vicissitudes of life itself; and a widespread and barely concealed disdain for weakness, failure, doomed gestures, tragedy, paralysis, fragility, mediocrity, and the ordinary in all its forms (this despite there being excellent evidence that this litany epitomizes much that is essential to human being).

irony. Notionally, the simultaneity of two (or more) perspectives. Any account of irony must begin with a caveat: if irony were to be successfully defined, it would cease to be useful. The difficulty of clarifying its operations in ordinary language precisely defines the domain within which it can operate. Still, it is not wrong to say that irony involves a doubleness; and such a description, as vague as it may be, can nonetheless suggest why irony might be so important for interdisciplinary studies. The greatest risk to interdisciplinarity as an intellectual project is the collapse of its perspectivalism into a monologic method. Interdisciplinarity, that is, depends upon the persistence and the discretion of its constitutive disciplines. The best interdisciplinary thinking arises not from a fusion but from a friction of methods. The interdisciplinarian, therefore, does well to be an ironist, agile among the disciplines, capable of seeing each under the aspect of the others, committed wholesale to none of them. Which is to say that interdisciplinary thinking is not more knowing than the knowledge given by the disciplines on which it depends (as it often claims to be), but less, and that is its value.

progress. The gymnastics of moving forward, understood as advancement or improvement, although possible without any propulsive motion, as in the case of stationary bikes.

 

Excerpted from Keywords: For Further Consideration and Particularly Relevant to Academic Life, especially as it concerns Disciplines, Inter-Disciplinary Endeavor, and Modes of Resistance to the Same authored by A Community of Inquiry, edited by D. Graham Burnett, Matthew Rickard, and Jessica Terekhov. Copyright © 2018 by IHUM BOOKS. Reprinted by permission of Princeton University Press.



from The Paris Review http://ift.tt/2Deng5J

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...