Skip to main content

Something We All Can Agree On: The Moon

Love fades, everything dies, but the moon looms forever in our imaginations. Organized to commemorate the fiftieth anniversary of the moon landing, a new show at the Louisiana Museum of Modern Art, in Denmark, examines how the earth’s satellite has served as a point of fascination and inspiration for artists, thinkers, writers, and scientists across human civilization. Below, we present a selection of images from the exhibition, which runs through January 20, 2019.

 

The first known photograph of the moon was taken by John W. Draper ca. 1839. The spots in this photo are caused by mold and water damage on the original daguerreotype, which apparently no longer exists. Photography. New York University Archives.

 

Max Ernst, Naissance d’une galaxie (The Birth of a Galaxy), 1969, oil on canvas. Fondation Beyeler, Riehen/Basel Beyeler Collection.

 

Abd al-Rahman al-Sufi, Kitab suwar al-kawakib (Book of Fixed Stars), 1675, paper, polychrome ink, gold, and silver. The David Collection, Copenhagen.

 

Georges Méliès, Le Voyage dans la lune (A Trip to the Moon), 1902, still from a hand-colored film, 14 minutes, loop. Lobster-Fondation Groupama Gan Foundation Technicolor. Courtesy of mk2 Films.

 

Fritz Lang, Frau im Mond (Woman in the Moon), 1929, still from black-and-white film, 156 minutes.

 

Carl Julius Leypold, Kirchhofseingang (Entrance to the Cemetery), 1832, oil on canvas. Germanisches Nationalmuseum, Nürnberg. Loan by the city of Nürnberg.

 

Benjamin Henry Day, Lunar animals and other objects Discovered by Sir John Herschel in his observatory at the Cape of Good Hope and copied from sketches in the ‘Edinburgh Journal of Science,’ 1835, lithograph. Courtesy of the Library of Congress.

 

Malena Szlam, Lunar Almanac, 2013, still from a silent color film in 16mm, 4 minutes, loop.

 

The astronomer Johann Friedrich Julius Schmidt’s plaster model of the moon, 1898. Photo: Getty Images/Field Museum Library.

 

The ancient Hindu moon god Chandra, gouache on paper. Courtesy of the British Museum.

 

Victor Prouvé, Amour de lune (Love for the Moon), 1884, pen and ink on paper. Georgina Kelman.

 

Rotraut, Untitled, ca. 1972, mixed technique on canvas. Private collection. ©Rotraut/ADAGP, Paris 2018

 

Unknown, The first view of the Earth from the Moon, Frame 101, High Resolution, Lunar Orbiter I, 1966, vintage gelatin silver print. Collection Victor Martin-Malburet.

 

Excerpted from The Moon: From Inner Worlds to Outer Space, edited by Lærke Rydal Jørgensen and Marie Laurberg, published by the Louisiana Museum of Modern Art. “The Moon: From Inner Worlds to Outer Space” is on view at the Louisiana Museum of Modern Art through January 20, 2019.



from The Paris Review https://ift.tt/2rawMCL

Comments

Popular posts from this blog

The Sphere

Photograph by Elena Saavedra Buckley. Once when I was about twelve I was walking down the dead-end road in Albuquerque where I grew up, around twilight with a friend. Far beyond the end of the road was a mountain range, and at that time of evening it flattened into a matte indigo wash, like a mural. While kicking down the asphalt we saw a small bright light appear at the top of the peaks, near where we knew radio towers to occasionally emit flashes of red. But this glare, blinding and colorless, grew at an alarming rate. It looked like a single floodlight and then a tight swarm beginning to leak over the edge of the summit. My friend and I became frightened, and as the light poured from the crest, our murmurs turned into screams. We stood there, clutching our heads, screaming. I knew this was the thing that was going to come and get me. It was finally going to show me the horrifying wiring that lay just behind the visible universe and that was inside of me too. And then, a couple se...

DEMOCRACY DAY SPEECH BY PMB; MAY 29 2016

www.naijaloaded.com My compatriots, It is one year today since our administration came into office. It has been a year of triumph, consolidation, pains and achievements. By age, instinct and experience, my preference is to look forward, to prepare for the challenges that lie ahead and rededicate the administration to the task of fixing Nigeria. But I believe we can also learn from the obstacles we have overcome and the progress we made thus far, to help strengthen the plans that we have in place to put Nigeria back on the path of progress. We affirm our belief in democracy as the form of government that best assures the active participation and actual benefit of the people. Despite the many years of hardship and disappointment the people of this nation have proved inherently good, industrious tolerant, patient and generous. The past years have witnessed huge flows of oil revenues. From 2010 average oil prices were $100 per barrel. But economic and security co...

The Private Life: On James Baldwin

JAMES BALDWIN IN HYDE PARK, LONDON. PHOTOGRAPH BY ALLAN WARREN. Via Wikimedia Commons , licensed under CC BY-SA 3.0 .   In his review of James Baldwin’s third novel, Another Country , Lionel Trilling asked: “How, in the extravagant publicness in which Mr. Baldwin lives, is he to find the inwardness which we take to be the condition of truth in the writer?” But Baldwin’s sense of inwardness had been nourished as much as it had been damaged by the excitement and danger that came from what was public and urgent. Go Tell It on the Mountain and Giovanni’s Room dramatized the conflict between a longing for a private life, even a spiritual life, and the ways in which history and politics intrude most insidiously into the very rooms we try hardest to shut them out of. Baldwin had, early in his career, elements of what T. S. Eliot attributed to Henry James, “a mind so fine that it could not be penetrated by an idea.” The rest of the time, however, he did not have this luxury, as pub...